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Arina Gordienko MA PSA SWA ARC Associate Living Master



Based in the United Kingdom, Arina Gordienko is an internationally acclaimed figurative realist artist, born in a small remote gold-mining settlement in the most north-easterly part of Russia, the Arctic polar region Chukotka. Since 2005 she lives and works in the UK. Her art education includes MA (Chelsea College of Arts, University of the Arts London), BA (Central Saint Martins College of Art, UAL), and Distinction Diploma in Fine Art (Art College, part-time, Russia).
 
Arina is an Associate Living Master of the Art Renewal Center in USA, a selected member of Society of Women Artists in the UK and a member of Portrait Society of America. She is recognised with numerous international prizes and awards in the UK, USA and Europe. Her paintings featured at Saatchi Gallery in London, MEAM - European Museum of Modern Art in Barcelona, Museum of Fantastic Art in Vienna, Museum of Modern Art Vittoria Colonna in Pescara (Italy), Wausau Museum of Contemporary Art in USA, and at many galleries in the UK, USA, Australia, Spain, Italy, Austria, Switzerland, Luxembourg, France, Germany, Check Republic, Belgium and India. Her paintings published in many art books, catalogues and art magazines, including the ‘Strokes of Genius’ Art Books (Edition 4 & 6) in USA, the MEAM ‘Painting Today’ catalogue in Spain, the Reinhard Fuchs’ art book ‘Masterpieces of Visual Arts - The Great Female Artists from the Middle Ages to the Modern Era’ in Austria, the ‘Masters of Contemporary Fine Art’ and ‘Masters of Painting’ in the UK.

Arina is dedicated to realistic traditions in painting, combining traditional classical techniques with imaginative compositions and contemporary palette. In her work she uses the old Masters classic ‘sfumato’ technique but with her own contemporary essence.


ARINA’s Faces
 
Recently within contemporary art there has been resurgence in using the portrait genre as a tool to explore concepts that reach beyond pure appearance and likeness.  ARINA’s faces stand out from the crowd with a graphic signature style that is memorable. 

The compositions have a bold directness with the monochromes and reds creating a visual language that communicates across cultures.  Her use of light, composition and pose has a sense of a 17 Century Dutch artists like Vermeer but the use of scale, tone and reference to realism bring it firmly into the 21 Century. The qualities of her art have hints of her Russian background within the context of Western influences. 

On close inspection ARINA’s handling of paint is not of bold gestures but the quiet, slow build-up of tonal values which beautifully suggest the sensual surface of the skin and underlying bone structure. The lack of hair accentuates the features of the face with the folds of the head scarf contributing to the architecture of the head, creating an almost sculptural object. 

ARINA uses herself as a vessel for her ideas; the likeness is striking and her expressions are beguiling; she occupies her face with the confidence of an actor trying to communicate to a broad audience. ARINA’s portraits are ambiguous, she does not reveal too much about herself but presents an icon of a woman that can be contemplated and interpreted in many ways; this is where her paintings’ strength.

(Peter Monkman MA, Director of Art Charterhouse, First Prize Winner of the BP Portrait Award 2009 at the National Portrait Gallery, London, UK)
 
 



All images Copyright © ARINA (Arina Gordienko) All rights reserved
Please do not attempt to use any images in this website as finished art
on paper or screen without permission as this would be

Photographs of paintings by Alexey Moskvin Ada Yu  and Anton Sokolov

 
 
















































 




















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